What a treat it was for us to be in Jerusalem for a couple of days! I’m sure many of you can relate to being near someplace and yet not going there as often as you’d like. We feel very blessed to live in Israel and do not take it for granted. One of the things we did was visit the Israel Museum. We had not been there for several years. I particularly enjoyed the section which shows exhibits relating to the Jewish life cycle.
One of the most beautiful exhibits was the room from the Rothschilds. The room’s interior was presented to the Museum in 1969 by Baron Edmond and Baroness Nadine de Rothschild.
A major part of the museum is the Shrine of the Book (below).
Here is a description of it from the website:
The Shrine of the Book was built as a repository for the first seven scrolls discovered at Qumran in 1947. The unique white dome embodies the lids of the jars in which the first scrolls were found. This symbolic building, a kind of sanctuary intended to express profound spiritual meaning, is considered an international landmark of modern architecture. Designed by American Jewish architects Armand P. Bartos and Frederic J. Kiesler, it was dedicated in an impressive ceremony on April 20, 1965. Its location next to official institutions of the State of Israel—the Knesset (Israeli Parliament), key government offices, and the Jewish National and University Library—is appropriate considering the degree of national importance that has been accorded the ancient texts and the building that preserves them.
The contrast between the white dome and the black wall alongside it alludes to the tension evident in the scrolls between the spiritual world of the “Sons of Light” (as the Judean Desert sectarians called themselves) and the “Sons of Darkness” (the sect’s enemies). The corridor leading into the Shrine resembles a cave, recalling the site where the ancient manuscripts were discovered.
Providing a vivid context for the Shrine of the Book and the Dead Sea Scrolls and for many contemporaneous archaeological artifacts displayed throughout the Museum, the Model Illustrates one of the most formative periods in the history of the Jewish people and bears a deep connection to the symbols of modern statehood that surround the Museum campus.